Have you ever gone to church on a Thursday? Well, there’s a first time for everything.

In September of 1998, Kirk Franklin released “Lean on Me” as the lead single of his fifth studio album, The Nu Nation Project. Lyrically and thematically, the song feels very much like a church-ified reworking of Bill Withers’ “Lean on Me”, but sonically, it is very much your standard gospel song.

Kirk Franklin wrote the song and co-produced it with Dan Shea. Though he’s officially the only credited artist, he enlisted R. Kelly, Crystal Lewis, Mary J. Blige and Bono to take on lead vocal duties. Yes, I know what you’re thinking, and it is certainly unfortunate that we can’t fully enjoy a lot of amazing music because R. Kelly turned out to be a complete monster.

For what it’s worth, the video below is from the live performance of the song at the 1999 Grammy Awards, where Gerald LeVert took R. Kelly’s verse and background singer Dalon Collins took his line on the bridge. And while we’re on the topic of the Grammys, I’d be remiss if I didn’t mention that the song was a Song of the Year nominee that year.

Fun fact: Before they were starring on Tyler Perry movies, David and Tamela Mann were members of Kirk Franklins choir, The Family. And on “Lean on Me,” Tamela gives us the best ad libs on the track.

Kirk Franklin makes the kind of gospel music that can turn a heathen into a believer, and for that, he will remain the goat in that genre (his lack of singing talent notwithstanding). Click play and give praise.

Bobby Caldwell passed away last night in his New Jersey home. The R&B legend had been battling illness for years and hadn’t been able to walk for the last five years.

For many millennials, their introduction to Bobby Caldwell’s music was through samples in hip-hop songs. His signature hit, 1978, “What You Won’t Do for Love,” has been sampled in many rap songs, most notably in 2Pac’s posthumous hit, “Do for Love.”

Another one of his songs, “Open Your Eyes,” has enjoyed a long legacy through samples and covers, most notably in Common’s “The Light.” That song was also one of the earliest TBT selections on this website.

Bobby Caldwell was 71 years old.

Today marks 26 years since we lost Christopher Wallace, better known as The Notorious B.I.G.

We never got to see just how far he could go, but in a few short years, Biggie established himself as one of the best to ever touch a mic. HisThough the debate about rap’s GOAT has evolved in the last quarter-century — and rightly so — there is no serious all-time ranking that doesn’t The

Tyler Perry is reportedly in talks to acquire Paramount’s majority stake in BET. According to the Wall Street Journal, Paramount is exploring the sale to raise funds for Paramount+, the company’s streaming platform.

Tyler Perry currently owns a minority stake in BET and has a long relationship with the network, which helped fund his first big screen movie, Diary of a Mad Black Woman.

We went without a TBT post two Thursdays ago, so I’m making you whole today.

As we’ve discussed many times in the past, commercial success in the music industry is not an exact science. Therefore, it is difficult to predict the kind of career an artist is going to have.

Every now and then, however, an artist comes along and you just kinda know: This one’s a star.

Adele is one of them ones.

To be fair, a white artist with a Black sound is a proven cheat code, but her debut single, “Chasing Pavements,” is worthy of the accolades. Written by the singer and Eg White, the ballad is based on an incident where Adele was walking down a pavement alone after being kicked out of a bar for punching her then-boyfriend in the face — she had gone to the bar to confront him after finding out he was cheating. The drama.

In 2023, it’s not unreasonable to be skeptical about some of the “true stories” that “inspire” Adele’s music, but back then, it all seemed legit. “Chasing Pavements” would go on to win a Grammy Award for Best Female Pop Vocal Performance and Adele would also win the award for Best New Artist.

In the 15 years since the song’s release, Adele has established herself as one of the greatest artists of all time, with her albums, 21 and 25, holding the distinction as the last two albums to be certified diamond in the US — the latter also holds the record for the most sales in a debut week, with 3.38 million copies sold. She has also won 16 Grammys, including two wins each in the Album, Record and Song of the Year categories.

It turns out that those pavements were indeed leading Adele to world domination. Click play.

Nothing says “I want a No. 1 hit” like releasing a remix with a feature as your song sits in the top 10 on the Billboard Hot 100. This is especially the case when the song in question is an album cut from a project released in 2016 that has since been followed by two other albums.

This is the story of “Die for You,” the 17th track from The Weeknd’s third LP, Starboy, which has become a hit song after steadily gaining popularity over the last 18 months or so. The song became a viral hit on TikTok in the fall of 2021 and got added radio playlists. However, unlike your typical viral hit, this not only stuck but rose all the way to the top 10.

With the top spot within striking distance, The Weeknd has done what anyone playing to win will do: He released a remix with a feature. And not just any feature, an Ariana Grande feature. The two have collaborated multiple times in the past and topped the Billboard Hot 100 together with the “Save Your Tears” remix (i.e., the last time Abel pulled out all stops for a No. 1 hit).

One of the beauties of the new chart rules at Billboard is that it now reflects what people are listening to regardless of when the music was released. One could argue that Mariah Carey has been the biggest beneficiary of this change, but there have been others, including Kate Bush, who topped the global chart last year with a song released in 1985.

“Die for You” joins the list of songs that show that there is no expiration date for good music, and with Ariana Grande on the remix, The Weeknd has a strong shot at the throne on next week’s chart.

Earlier today, the OG Ashley Banks posted a pic to remind us that she’s still fine as hell. It had me thinking about how long she’s been in the public eye and how she has managed to remain unproblematic the whole time. In a world where so many child stars crash and burn, we simply must celebrate the Tatyana Alis.

All of this also had me thinking about her short-lived music career that deserved a much longer run. We’ve revisited her debut single on a previous Throwback Thursday, but today, we’ll be looking at “Everytime.”

Released as the third single from her one and only LP, Kiss the Sky, is a guitar-driven ballad about missing your boo every time they’re not here. In actuality, the song reads like the lamentation of a clingy-ass lover, but it is set to the sweetest melody and sung so beautifully.

“Everytime” didn’t fare as well as “Daydreamin’,” but it cracked the top 20 in the UK. Its video — set to the remix — features a mix of concert and behind-the-scenes footage, including a clip of Tatyana hanging with her Fresh Prince co-star, Will Smith.

While it would’ve been nice to embed a video, the fact of the matter is that the original is by far the superior version. Check it out below.

Da Brat just announced that she is expecting a baby! It will be the first child for the 48-year-old rapper. Her wife, Jesseca Harris-Dupart (a.k.a. Da Real BB Judy) has three from a previous relationship.

The rapper revealed in an exclusive interview with People Magazine that she had to remove fibroids and polyps prior to her embryo retrieval. She also revealed that she used an anonymous sperm donor and confirmed that she is currently 18 weeks pregnant.

Yesterday, we lost Burt Bacharach, one of the greatest songwriters of all time. He wrote over 70 top 40 hits over the course of four decades, including four No. 1s on the Billboard Hot 100. He has written songs for everyone from Nat King Cole to Patti LaBelle, but is perhaps best-known for his work with Dionne Warwick. Twenty-two of Bacharach’s top 40 hits were sung by Ms. Warwick.

We have previously highlighted their what is easily their signature hit, so we’re going to go for the next best thing: Their first single together.

“Don’t Make Me Over,” the first Bacharach-penned Dionne Warwick single, is also the singer’s debut single as a solo artist. Co-written by Hal David, the song pleads for a lover to reciprocate unconditional love. It was not initially selected to be Warwick’s first single — another Bacharach David composition, “Make It Easy on Yourself,” had been chosen by the singer. However, it was given to Jerry Butler despite the fact that she had recorded the original demo, so it ended up being an album cut.

The title for “Don’t Make Me Over” comes from a phrase that was popular at the time — meaning “don’t try to change me” — which Bacharach and David built the song around after Warwick used it in anger in the studio. The song would become the singer’s first top 40 hit, peaking at No. 21 on the Billboard Hot 100. It would be inducted into the Grammy Hall of Fame in 2000.
While Burt Bacharach’s passing is reason enough to revisit this classic, this Throwback Thursday is also just one day shy of the 60th anniversary of Dionne Warwick’s debut LP and the parent album of “Don’t Make Me Over,” Presenting Dionne Warwick.