Mariah Carey is asking an ex-lover to get the fuck out on her new song, aptly titled “GTFO.” The track, which dropped just under 30 minutes ago, has Mimi singing in a whisper for the most part, but it actually works. She sings in full voice in certain parts, but nothing too extravagant. Overall, the track definitely sounds fresher than anything she’s released in a long time, so I think she might have a hit on her hands.

Production-wise, “GTFO” will remind you of Drake’s “Passionfruit” — it was actually produced by frequent Drake collaborator Nineteen85, but both songs don’t have any credited composers in common. The song is the first single from Mariah’s upcoming album (her 15th studio LP), which is expected to drop before the year’s over. Check it out below.

Nicki Minaj just dropped a video for “Barbie Dreams.” The song is one of the best on Queen, and while I generally don’t expect to be blown away by music videos, I had high hopes for this one because the lyrics are so clever. Not to mention, it was directed by Hype Williams.

Conceptually, I think they got it right; some of the rappers that Nicki mentions — including Lil Wayne, 6ix9ine and DJ Khaled — appear as muppets while Nicki spits bars in a variety of outfits. Khaled isn’t a rapper, but you get my point.

With Nicki sporting a variety of colorful wigs, the video gives me slight “Crush on You” vibes, especially in the frames where she’s rocking fur coats. But that’s not where the Lil’ Kim similarities end — Nicki is starting to look more plastic than ever before and I’m not sure why. Her implants look like they hurt when she moves. Peep the clip below.

The 6 God has done it again. With “In My Feelings” spending a ninth week at No. 1 on the Billboard Hot 100, Drake has now accrued 28 weeks at No. 1 this year, which ties Usher’s record for the most weeks at No. 1 in a calendar year. And with a career total of 48 weeks atop the Billboard Hot 100, Drizzy pushes past Usher as the leader among all male solo acts — only Mariah Carey (79), Rihanna (60), the Beatles (59) and Boyz II Men (50) have spent more weeks at No. 1. That being said, it is worth noting that all 47 weeks of Usher’s Hot 100 reigns were as a leading artist, while Drake has only spent 38 weeks as a leading artist.

Bonus factoid: This week marks the 33rd consecutive week of the Billboard Hot 100 being ruled by a rap song.

UPDATE: Les Moonves has been fired from CBS and his severance package will be held until the investigation into his alleged sexual misconduct is concluded. The company’s current COO, Joseph Ianniello, will act as CEO until the board of directors finds a replacement. Also, $20 million will be deducted from Mooves’ severance pay and donated to organizations that support the #MeToo movement.


He won’t, but one can dream. The soon-to-be-ousted CEO and Chairman of CBS, who has been accused of sexual harassment, is rumored to have a $100 million golden parachute, so he’ll be fine no matter what. But why does Les Moonves deserve to lose everything, you ask? Well…he essentially ended Janet Jackson’s career.

According to a report by the Huffington Post, Les Moonves was so mad after Nipplegate that he became obsessed with destroying Janet. He wasn’t as mad at Justin Timberlake, who did the ripping of the bustier, because JT made a tearful apology directly to him. Janet’s public apology was apparently insufficient for the King of CBS, so he decided to make it his business to undermine her.

From Huffington Post:

Moonves ordered Viacom properties VH1 and MTV, and all Viacom-owned radio stations, to stop playing Jackson’s songs and music videos. The move had a huge impact on sales of her album “Damita Jo,” which was released in March 2004, just a month after the Super Bowl.

(Sidebar: CBS was owned by Viacom at the time)

And that’s not all. Seven whole years after the incident, Moonves was mad when he found out that CBS-owned publishing house, Simon & Schuster, gave Janet a book deal (for True You: A Journey to Finding and Loving Yourself).

More from Huffington Post:

“How the fuck did she slip through?” Moonves asked while recounting the story to a source who spoke to me. He told another source that heads were going to roll as a result of the deal.

It’s not clear whether Moonves ever actually took action against anyone who gave Jackson the book deal, but his tone when he spoke about Jackson was so aggressive, one source said they couldn’t speak to me on the record because “I’m not interested in having that man following me to the grave and trying to screw me over the whole time.”

Basically, Les Moonves is the worst type of enemy to have, but this is especially weird because it’s not like the Superbowl incident was a personal affront to him. Was a direct apology really all it took? Because, if so, he’s an egomaniac and a fucking tyrant. If not, then what was the real reason? Is it because Janet Jackson is black? Is it because she’s a woman? Or both? Why go so far out of your way to destroy a person who technically hasn’t done anything to you?

The good thing about this news — if we can call it that — is that we now have confirmation of what we all already knew. Janet didn’t fizzle out; she was forced out of the industry by one of the most powerful men in show business. And, unfortunately, this all took place in a pre-social-media world where it was far easier to stymie people.

At this point, there’s no way of telling if there’s any truth to the allegations of sexual harassment against Les Moonves, but if they are, I hope he gets sued for millions. Karma, do your thing.

This wasn’t supposed to happen. Kanye West is supposed to be canceled, but I will blame my leniency on that weak apology he issued last week. That and on the fact that I accidentally heard his new track with Lil Pump and absolutely loved it on the first listen.

This is what pains me about Kanye. He is a talented musician and was actually one of my favorite rappers of all time until he started working with the devil (i.e. Donald Trump). In any case, “I Love It” debuted last night at the Pornhub Awards (where Kanye served as creative director) and it features a punchline from Adele Givens (who also appears in the video). Check it out below.

I had told myself that today’s TBT post was going to be Jay-Z’s “(Always Be My) Sunshine,” which features Foxy Brown and Babyface, not knowing that today would be Foxy’s birthday. God’s plan.

Foxy turns 40 today, so you already know what it is. The Trinidadian rapper, born Inga Marchand in New York City, made her debut in 1996 and released 3 albums over a five-year period. Her career got sidetracked by legal troubles, health troubles (she lost her hearing temporarily), and mismanagement on the part of her record label. However, she is expected to make a return to the rap game next year with a visual album titled King Soon Come — I’ll be here waiting to welcome her with open arms.

Below are my four favorite Foxy Brown joints. Happy birthday, Inga!

“Get Me Home” (featuring Blackstreet)

“Big Bad Mama” (featuring Dru Hill)

“I Can’t” (featuring Total)

Jay-Z – “(Always Be My) Sunshine” (featuring Foxy Brown & Babyface)

A living legend was born on this day in 1981. Beyoncé Giselle Knowles-Carter turns 37 today and we firin’ up 37 shots for her! One day, we will all realize how blessed we are to be witnessing this kind of greatness.

Below is one of the first live performances of “Crazy in Love” and a personal favorite — even David Letterman’s reaction lets you know that we were witnessing something special. Enjoy!

UPDATE: We now have a video. Scroll down to watch.


Hello, 911? I think I just heard some shots fired.

A few days ago, Eminem dropped a surprise album, Kamikaze, which included digs at a variety of his peers. You know…vintage Eminem. Among those dissed was Machine Gun Kelly, who apparently angered Eminem by tweeting that his daughter, Hailey, was cute. In 2012. No, I’m not joking. Listen to a slowed-down, bootleg version of the Em song in question, “Not Alike,” here (skip to the 3:00 mark to hear the MGK diss).
Unlike most of the people who Eminem attacks, Machine Gun Kelly has banana clips for dat ass — no pun intended. So much so that he made a whole song about it. On “Rap Devil (Eminem Diss),” MGK talks about Eminem’s beard, Eminem’s height, Eminem’s age, Eminem’s sobriety and Eminem’s reliance on Dre beats, among other things; he went in. Every bar was wack, but I respect the boldness, even though I know this is just a rapper capitalizing on the free press that was handed to him. That being said, it’s obvious that he respects and idolizes Eminem, even calling him the greatest rapper I alive on this very track — he isn’t, but that’s what most white people think. Also, in a tweet sent just an hour ago, MGK called Em his idol.

The most remarkable thing about all of this is how touchy Eminem is. How do you make a career out of disrespecting people and remain this sensitive? Word is that Eminem went full I-was-told-by-AppleCare and filed a report with MGK’s boss (Diddy). Is this y’all’s king? Anyway, listen to “Rap Devil (Eminem Diss)” below.