The Pfizer COVID vaccine becomes the first one to receive full approval from the FDA. Until now, all of the vaccines in use had only received emergency authorization.

The approval is only covers administration to people aged 16 and over. The vaccine is still under emergency use authorization for children aged 12-15.

The vaccine will be marketed under the brand name Comirnaty.

Snoop Dogg’s “Ain’t No Fun (If the Homies Can’t Have None)” is basically all the things Boomers whine about when they say hip-hop is too vulgar. Featuring Nate Dogg, Warren G and Kurupt, this one song basically checks all the boxes when it comes to indecency, and listening with 2021 ears, it is objectively problematic in more ways than one. That being said, it is such a fucking CHUNE.

“Ain’t No Fun” is special because — even though he is credited as a featured artist — it is a song where Nate Dogg takes center stage, providing the opening verse as well as the chorus, and taking up more record time than even the “lead” artist, Snoop Dogg. Nate had songs of his own, but the crooner earned the nickname “King of Hooks” because he was known for delivering iconic hooks as a supporting act to rap stars. “Ain’t No Fun,” despite officially being a Snoop song, feels very much like a Nate Dogg song.

Before we go any further, I’d just like to say that I have always had an issue with artists being credited as “featured” acts on songs where they sing the hooks because — more often than not — the hook accounts for the majority of the song. You know what I mean? Ashanti should have received lead billing on “Always on Time” and “What’s Luv?”; and Rihanna should have received lead billing on “Live Your Life” (where she not only sung the hook but provided a bridge). And don’t even get me started on “Mo Money Mo Problems,” where Kelly Price is uncredited altogether despite having more record time than the Notorious B.I.G., Diddy and Mase.

Any, back to Nate Dogg.

Most album cuts are forgotten, and even when an album cut is considered a highlight on an album, few are popular even among casual fans — “Ain’t No Fun” is among that exalted few. The lyrics of the song — in particular, the chorus — are so well-known and so often-quoted that you’d think it was a radio hit, and I can’t help but credit Nate Dogg’s delivery for making so many people love for this nasty-ass song.

On what would’ve been Nate Dogg’s 52nd birthday, I welcome you to press play and crank the volume all the way up.

OnlyFans just announced that — starting in October — it will no longer allow sexually explicit content. Nude photos and videos will be allowed as long as no sexual acts are taking place.

Basically, the porn industry just got a big wide opening. No…pun intended? Anyway…

According to Bloomberg, this new policy is in response to difficulties the company has faced in raising money from investors, who are generally shying away from OF’s NSFW brand.

OnlyFans generated $2 billion in revenue last year and is on pace to double that this year.

Nothing says “I’m serious about being successful in the US” like throwing Justin Bieber on the remix of your latest single.

If the Billboard Hot 100 was scored based on the number of times a song is used on Instagram stories, WizKid’s “Essence” (featuring Tems) would probably be No. 1 right now. For the last two to three months, it has been almost impossible to open that app without hearing that song, and these days, social media popularity is oftentimes a precursor to “real life” chart success.

After many weeks of social media popularity, “Essence” finally cracked the Billboard Hot 100 a month ago and has risen steadily since its arrival, currently sitting at No. 54.

With a new version of the song featuring one of the biggest pop stars on the planet, we could argue that “Essence” is just getting started. Not only has Justin Bieber proven his ability to make a remix go POP in the past, he actually adds a verse worth listening to. In other words, Justin Bieber is bringing more than star power to the table — and his pidgin isn’t half-bad.

Lizzo comes out swinging on her new single, “Rumors,” which features Cardi B. The song is one big clap back against all of the people talking shit about her weight, who she’s sleeping with, her outfits, and every other new issue people find with Lizzo each week.

“Rumors” is R&B yet pop yet hip-hop yet rock — basically, it’s peak Lizzo. If you liked the up-tempos on Cuz I Love You, you’re definitely gonna like this one. Click play.

Canadian singer Tamia has had an interesting career. She has an amazing voice, conventional good looks, and a catalog full of solid songs. However, she was never the major star that one would’ve expected her to be, which demonstrates once again that the music industry — and quite frankly, life itself — is a bit of a game of luck. Despite all the great things she had going for her, one could argue that she was generally overlooked, and as a result, a lot of good music has been overlooked.

If you ask anyone to hum the first song that comes to mind when they think of Tamia, it will probably be “So Into You,” and for good reason — it is undoubtedly her signature hit. However, anyone who is even remotely familiar with Tamia’s catalog would probably highlight her lead single from her third album, More, as one of her shining moments.

Released in September of 2003, “Officially Missing You” is a guitar-driven ballad sung from the perspective of a forlorn ex-lover who wants that old thang back. The song was written and produced by Marcus Vest — better known as 7 Aurelius — who made a name for himself after producing multiple hits in the heydays of Murder Inc., including “Always on Time,” “Foolish” and the remixes to “I’m Real” and “Ain’t It Funny.”

Because life isn’t fair, “Officially Missing You” only managed to peak at No. 83 on the Billboard Hot 100, but that says absolutely nothing about the song’s quality. If this is your introduction to this song, thank me later.

The Weeknd is back with new music but the Canadian is sticking with the old formula, and we can’t blame him.

With the final single from his last album, After Hours, still in the top 20 on the Billboard Hot 100, The Weeknd’s new era is coming so soon that it feels very much like an addendum to the last one. And with the ’80s pop style of “Take My Breath,” it sounds like the singer is sticking with the sound that gave him record-breaking success.

The “Take My Breath” video takes place at party that gives the kind of sexy, druggy, rock-n-roll-y energy we’ve come to expect from Abel. It, of course, ends with a dominatrix type trying to, err, take the singer’s breath.

Would it be a Weeknd video if death wasn’t a theme? Click play.

In January of 1977, KC and the Sunshine Band released “I’m Your Boogie Man” as the third single from the group’s fourth album, Part 3. Written by group members Harry Wayne Casey and Richard Finch, the song is a brilliant example of how the best songwriters can make you think they’re talking about one thing when they’re really talking about something else. While the lyrics might lead you to believe that its being sung from the perspective an infatuated loverboy, the song is actually an ode to the Miami DJ — the metaphoric “boogie man” — who first played the group’s first No. 1 hit, “Get Down Tonight.”

“I’m Your Boogie Man” would become KC and the Sunshine Band’s fourth No. 1 on the Billboard Hot 100 and one of the biggest singles of 1977. Click play and get your entire life.

BadGalRiRi is officially a billionaire.

According to Forbes, Rihanna is now worth $1.7 billion, making her the wealthiest woman in music and the second-wealthiest woman in entertainment — only after Oprah Winfrey, who is worth $2.7 billion.

The bulk of RiRi’s fortune — $1.4 billion — comes from her 50% stake in Fenty Beauty, the makeup line she launched in 2017. The rest of her wealth comes from her stake in Savage X Fenty ($270 million) and her earning as a musician and actress.

Key takeaways:
1. A$AP Rocky is even luckier than we thought.

2. We might never get that album.

But he didn’t.

According to Billboard, DaBaby’s team reached out to multiple festival promoters — including the ones at Lollapalooza — to let them know that the rapper would be making a recorded apology for his ridiculous comments at Rolling Loud. The video was to be played before his performance at Lollapalooza and was supposed to make up for his trash apology on Twitter — which came after he had initially doubled down. The video was also aimed at saving DaBaby’s spots at the various festivals, which were now in jeopardy as public outcry grew louder.

Unfortunately, the video was never made, which is why Lollapalooza yanked him from their lineup just hours before he was scheduled to take the stage.